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Carr, Carolyn. Alice Neel: Women. New York: Rizzoli, 2002
Hemingway, Andrew. Artists on the Left. American Artists and the Communist Movement 1926 – 1956. Newhaven, CT., and London: Yale University Press, 2002.
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Martinez, Juan A. Cuban Art and National Identity. The Vanguardia Painters 1927-1950. Gainsville, FL: University Press of Florida, 1994.
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Mitchell, Joseph. Joe Gould's Secret. 1965. Reprint, NY: Modern Library, 1996.
"A Statement" in The Hasty Papers: A One-Shot Review. Ed. Alfred Leslie and Robert Frank, p. 50. NY: Alfred Leslie, 1960.
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Alice Neel in New Jersey and Vermont. Brussels: Xavier Hufkens, 2018. Essays by Jeremy Lewison and Philip Larratt-Smith.
Als, Hilton. Alice Neel: Uptown. New York: David Zwirner Books and Victoria Miro London, 2017. Essays by Jeremy Lewison and Hilton Als.
Alice Neel: The Great Society. Berlin: Aurel Scheibler, 2017. Essay by Petra Goerdueren.
Lewison, Jeremy (ed.). Alice Neel. Painter of Modern Life. Brussels: Mercatorfonds and Ateneum Art Museum, Helsinki, 2016. Essays by Bice Curiger, Petra Gördüren, Jeremy Lewison, Laura Stamps and Annamari Vänskä.
Lebovici, Elisabeth. Alice Neel. Brussels: Xavier Hufkens, 2015.
Alice Neel Drawings and Watercolours 1927 - 1978. New York: David Zwirner, 2015. Essays by Jeremy Lewison and Claire Messud.
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Bera Nordal (ed.). Alice Neel: Nära Relationer (intimate Relations). Skärhamn, Sweden: Nordiska Akvarellmuseet, 2013. Preface by Bera Nordal, essay by Jeremy Lewison.
Griffin, Tim. 'A Scene of Her Selves'. Alice Neel. Late Portraits and Still Lifes. New York and Santa Fe: David Zwirner and Radius Books, 2012.
Hubbard, Sue. Alice Neel; Men Only. London: Victoria Miro Gallery, 2011.
Phillips, Adam. 'Sitting Targets' in Alice Neel: Family. Dublin: The Douglas Hyde Gallery, 2011.
Lewison, Jeremy and Barry Walker, eds. Alice Neel. Painted Truths. Houston: Museum of Fine Arts and Yale University Press, New Haven and London, 2010. Essays by Tamar Garb, Jeremy Lewison, Robert Storr and Barry Walker and appreciations by Frank Auerbach, Marlene Dumas and Chris Ofili.
Alice Neel. Paintings. Venice, CA: L A Louver, 2010.
Scheibler, Aurel. Alice Neel. Paintings and Drawings. Berlin: Aurel Scheibler, 2010. Foreword by Rebeccah Blum. Catalogue entries by Jeremy Lewison.
Lewison, Jeremy. Moderna Museet Now. Alice Neel: Collector of Souls. Stockholm, Moderna Museet, 2008. Brochure text by Jeremy Lewison.
Storr, Robert. Alice Neel: The Cycle of Life. London: Victoria Miro Gallery, 2007. Interview with Robert Storr.
Peyton, Elizabeth. Alice Neel: Pictures of People. Berlin: Galerie Aurel Scheibler, 2007.
Lewison, Jeremy. Alice Neel: A Chronicle of New York 1950-1976. London: Victoria Miro Gallery, 2004
Donnell, Courtney Graham. 'Alice Neel: Drawings', Alice Neel: Drawings. Chicago: The Arts Club of Chicago, 2003
Alice Neel: Black and White. NY: Robert Miller Gallery, 2002.
Temkin, Ann (ed.). Alice Neel. NY: Harry N. Abrams in association with Philadelphia Museum of Art, 2000. Essays by Ann Temkin, Susan Rosenberg and Richard Flood.
Koestenbaum, Wayne. Alice Neel: Paintings from the Thirties. New York: Robert Miller Gallery, 1997.
Geldzahler, Henry. Alice Neel in Spanish Harlem. Bridgehampton, NY: Dia Center for the Arts, 1991.
Allara, Pamela. Exterior/Interior: Alice Neel. Medford, MA: Tisch Gallery, Aidekman Arts Center, Tufts University, 1991.
Cheim, John. Alice Neel: Drawings and Watercolors. New York: Robert Miller Gallery, 1986.
Castle, Ted. Alice Neel: Paintings Since 1970. Philadelphia, PA: Pennsylvania Academy of the Fine Arts, 1985.
Alice Neel: Men in Suits. NY: Cheim & Read Gallery, 1998. Brochure essay by Richard D. Marshall.
Alice Neel: Men in Suits. New Orleans: Galerie Simonne Stern, 1998. Brochure essay by Andrei Codrescu.
Harris, Ann Sutherland: Alice Neel: Paintings 1933-1982. Catalogue by Ann Sutherland Harris, with text of a lecture by Alice Neel. Los Angeles, CA: Loyola Marymount University, Los Angeles, Art Gallery, 1983.
Hills, Patricia. Alice Neel: Paintings of Two Decades. Boston, MA: Boston University, 1980.
Alice Neel: A Retrospective Showing (an exhibition in two parts). Bridgeport, Connecticut and Madison Art Center, Wisconsin.
Bolge, George, and Henry R. Hopeort. Alice Neel. Fort Lauderdale, FL: Fort Lauderdale Museum of Art, 1978.
Harris, Ann Sutherland. Alice Neel: A Retrospective Exhibition of Waterolours and Drawings. Brochure by Ann Sutherland Harris. NY: Graham Gallery, 1978.
Langenstein, Michael. Paintings by Alice Neel. Hagerstown, MD.: Washington County Museum of Fine Arts, 1977. A brochure.
Paul, William D., Jr. and Cindy Nemser. Alice Neel: The Woman and Her Work. Catalogue by William D, Paul, Jr., and Cindy Nemser, with statements by Dorothy Pearlstein, Raphael Soyer, and Alice Neel. Athens, GA: Georgia Museum of Art, The University of Georgia, 1975.
Solomon, Elke M. Alice Neel. NY: Whitney Museum of American Art, 1974. A brochure.
Gold, MIke. Paintings by Alice Neel. Brochure text by Mike Gold. NY: New Playwrights Theatre, 1951.
Solman, Joseph. Paintings by Alice Neel. Brochure text by Joseph Solman. NY: A.C.A. Gallery, 1950.
Gillen, Eckhart and Ulrike Lorenz (eds). Constructing the World. Art and Economy 1919-1939. Bielefeld and Berlin: Kerber Verlag and Kunsthalle Mannheim, 2018.
Baum, Kelly, Andrea Bayer and Sheena Wagstaff. Unfinished: Thoughts Left Visible. New York: Met Breuer, 2016.
Coomer, Martin. Protest. London: Victoria MIro Gallery, 2016.
Drosnos, Nikolas and Romy Golan. 'Realism as an International Style' in Okwui Enwezor, Okwui(ed), Postwar: Art Between the Pacific and the Atlantic 1945-1965, Munich: Haus der Kunst and Prestel, 2016, p.444.
Hoste, Ann (ed). These Strangers ... Paintings and People. Texts by Bianca Baroni, Kirsty Bell, Iwona Blazwick, Martin Herbert, Ann Hoste, Jeremy Lewison, Yael Lipschutz, Paulina Pobocha and Monika Szewczyk. Gent: SMAK and Roma Publications, Amsterdam, 2016.
Als, Hilton. Forces in Nature. London: Victoria Miro Gallery, 2015. Texts by Hilton Als.
Gioni, Massimiliano (ed.). The Great Mother. Women, Maternity, and Power in Art and Visual Culture, 1900-2015. Milan: Fondazione Nicola Trussardi and Skira, 2015. Essays by multiple authors.
Rabenmuetter. Zwischen Kraft und Krise: Muetterbilder von 1900 bis heute. Linz: Lentos Kunstmuseummuseum, 2015. Essays by multiple authors.
Schwabsky, Barry. 'Re-inventing Presence' in Tight Rope Walk: Painted Images after Abstraction. London: White Cube Bermondsey, 2015.
Hartog Jager, Hans den. Zie De Mens. Honderd jaar, honderd gezichten. Zwolle: Museum de Fundatie and Athenaeum - Polak & Van Gennep, Amsterdam, 2016.
Fortune, Brandon Brame, Wendy Wick Reeves and David C Ward. Face Value. Portraiture in the Age of Abstraction. Washington DC: National Portrait Gallery, Smithsonian Institution in associaiton with D Giles Limited, London. Essays by David C Ward, and Wendy Wick Reeves and Brandon Brame Fortune. Poem by John Ashbery.
Scala, Mark W. (ed). Paint Made Flesh. Nashville, TN: Frist Center for the Visual Arts, 2009. Essays by Susan H. Edwards, Emily Braun, Richard Shiff and Mark W. Scala.
Cullen, Deborah (ed). Nexus New York. Latin/American Artists in the Modern Metropolis. New York, New Haven and London: Museo del Barrio in association with Yale University Press, 2009.
Butler, Cornelia and Lisa Gabrielle Mark (eds). Wack! Art and the Feminist Revolution. Los Angeles: The Geffen Contemporary at MOCA, 2007.
Hammer, Martin. The Naked Portrait 1900 - 2007. Edinburgh: National Galleries of Scotland, 2007.
Tricot, Xavier. I Am as You Will Be. New York: Cheim & Read, 2007.
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Pincus-Witten, Robert. Naked Since 1950. New York: C & M Arts, 2001.
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Phillips, Lisa. The American Century: Art & Culture 1950-2000. NY: Whitney Museum of American Art, 1999.
Faces of Time: 75 Years of Time Magazine Cover Portraits. Washington DC:The National Portrait Gallery, Smithsonian Institution, 1998.
Weinberg, Adam. Views from Abroad: European Perspectives on American Art 3: American Realities. Catalogue by Adam Weinberg, Nicholas Serota, and Sandy Nairne, with essays by Andrew Brighton and Peter Wolle. New York: Whitney Museum of American Art, 1997.
Bond, Anthony. Body. Sydney: The Art Gallery of New South Wales, 1997.
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Gibson, Robin. The Portrait Now. London: National Portrait Gallery, 1993.
Rosen, Randy and Catherine C. Brawler. Making Their Mark: Women Artists Move Into the Mainstream 1970-85. Cincinnati: Cincinnati Art Museum, 1989
Van Wagner, Judy Kay Collischan. Lines of Vision: Drawings by Contemporary Women. Brookville, NY: Hillwood Art Gallery, Long Island University, 1989
Just Like a Woman. Greenville, SC: Greenville County Museum of Art, 1988
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Appelhof, Ruth Stevens and Cumbee Wilson. The Expressionist Landscape: North American Modernist Painting, 1920-1947. Catalogue organized by Ruth Stevens and Cumbee Wilson, with essays by Appelhof, Barbara Haskell, and Jeffrey R. Hayes. Birmingham, AL: Birmingham Museum of Art, 1987.
Nude, Naked, Stripped. Catalogue by the MIT Committee on the Visual Arts. Cambridge, MA: Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology, 1986.
Lobowsky, Susan. The Surreal City: 1930s-1950s. Brochure essay by Susan Lobowsky. Whitney Museum of American Art, New York, Whitney Museum of American Art at Philip Morris, 1985.
Styron, Tommy. Innocence and Experience. Greenville, SC: Greenville County Art Museum, 1985.
Nochlin, Linda. Woman. Evanston, IL: Terra Museum of American Art, 1984.
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Zilczer, Judith. Five Distinguished Alumni: The WPA Federal Art Project. Catalogue by Judith Zilczer, with an interview with Alice Neel. Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1982.
Boothe-Meredith, Sally. Real, Really Real, Super Real: Directions in Contemporary American Realism. Catalogue by Sally Boothe Meredith, with essays by Alvin Martin, Linda Nochlin, and Philip Pearlstein. San Antonio, TX: San Antonio Museum of Art, 1981.
Gamwell, Lynn, and Victoria Kogan. Inside Out: Self Beyond Likeness. Newport Harbour, CA: Newport Harbor Art Museum, 1981.
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June Blum, Audrey Flack, Alice Neel: Three Contemporary American Women Realists. South Campus Art Gallery (now Kendall Campus Gallery), Miami-Dade Community College. Miami, Florida.
Tenth Street Days: The Co-Ops of the 50's. Edited by Joellen Bard in co-operation with Pleiades Gallery and the Association of Artist-Rund Galleries. New York: Education Art Service, 1977.
Gerdts, William H., and Leslie Cohen. Three Centuries of the American Nude. New York: The New York Cultural Center, 1976.
Exhibition of Liturgical Arts. Catalogue by the 41st International Eucharistic Congress, with an introduction by Victoria Donohue, includes Neel's Archbishop Jean Jadot, 1976. Philadaelphia, PA.: Philadelphia Civic Center, 1976.
Paintings by Three American Realists: Alice Neel, Sylvia Sleigh, May Stevens. Foreword by Ronald A. Kutcha. Introduction by Phylis Derfner. Syracuse, NY: Everson Museum of Art. Syracuse, New York, 1976.
Dorothy Gillespie, Alice Neel, Charlotte Robinson, Sylvia Sleigh: Recent Paintings and Works on Paper. Washington, DC: Fendrick Gallery, 1976.
Harris, Ann Sutherland and Linda Nochlin. Women Artists, 1550-1950. Los Angeles, CA: Los Angeles County Museum of Art, 1976.
Sons and Others: Women Artists See Men. New York: The Queens Museum, Flushing NY, 1975.
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Goldstein, Patti. "Soul on Canvas", New York Magazine, 9 - 16 July, 1979, pp. 76-80.
Glowen, Ron. "Alice Neel's Portraits-Skin Surface and Soul Deep", Artweek, vol. 10, no. 37 (10 November,1979), p.16.
Stevens, May. "The Non-Portrait Work of Alice Neel", Women's Studies (New York), vol. 6 (1978), pp. 61-73.
Schmitt, Marilyn. "Alice Neel", Arts Magazine, vol. 52, no. 9 (May 1978), p. 9.
Johnson, Ellen H. "Alice Neel's Fifty Year's of Portrait Painting", Studio International, vol. 193, no. 987 (March 1977), pp. 174-79.
Cochrane, Diane. "Alice Neel: Collector of Souls", American Artist, vol. 37, no. 4 (September 1973), pp. 32-37,62-64.
Glueck, Grace. "The 20th-Century Artists Most Admired by Other Artists: Alice Neel",ArtNews, vol. 76, no. 9 (November 1977), p. 94.
Harris, Ann Sutherland. "A Note on Alice's Greatness", ArtNews, vol. 75, no. 11 (November 1977), p. 113.
Turner, Norman. "Alice Neel", Arts Magazine, vol. 52, no. 4 (December 1977), p. 14.
French-Frazier, Nina. "New York Reviews: Alice Neel", ArtNews, vol. 76, no. 10 (December 1977), pp. 141-42.
Hess, Thomas B."Art: Sitting Prettier", New York Magazine, 23 February, 1976, pp. 62-63.
Dickson, Harold E. "Portraits U.S.A. 1776-1976", American Art Review, vol. 3, no. 3 (May-June 1976), pp. 32-48.
Neel, Alice in Gerrit Henry, "Is New York Still the Artistic Place to Be?", ArtNews, vol. 75, no. 9 (November 1976), pp. 44-45.
Kimbrell, Leonard. "Alice Neel's Portraits", Artweek, vol. 6, no. 5 (1 February,1975), p. 2.
Neel, Alice in Gerrit Henry, "The Artist and the Face: A Modern American Sampling" Art in America, vol. 63, no. 1 (January- February 1975), pp. 34-41.
Blum, June. "Women and Success at The Brooklyn Museum", Feminist Art Journal, vol. 4, no. 3 (Fall 1975), pp. 14-15.
Halasz, Piri. "Alice Neel: 'I Have This Obsession with Life'", Art News, vol. 73, no. 1 (January 1974), pp. 47-49.
Hess, Thomas B. "Art: Behind the Taboo Curtain", New York Magazine, 4 March,1974, p. 68.
Alloway, Lawrence. "Art", Nation (New York), 9 March, 1974, p. 318.
Anonymous. "Country Art and City Art", Newsweek, 11 March, 1974, p.90.
Heinemann, Susan. "Alice Neel, The Whitney Museum", Artforum, vol. 12, no. 9 (May 1974), pp. 74-75.
Nochlin, Linda. "Some Women Realists: Painters of the Figure", Arts Magazine, vol. 48, no.8 (May 1974), pp. 29-33. Reprinted in Linda Nochlin, Women, Art, and Power and Other Essays,. New York: Harper and Row, 1988, pp. 86-108.
Evett, Kenneth. "From Top to Bottom at the Whitney", New Republic, (Washington D.C.) 4 May 1974, pp. 27-28.
Mainardi, Pat. "Alice Neel at the Whitney Museum", Art in America, vol. 62, no. 3 (May-June 1974), pp. 107-8.
Vivell, Judith. "Talking About Portraits", Feminist Art Journal, vol. 3, no. 2 (Summer 1974), pp. 13-16, 19.
Hall, Lee. "The Sullen Art and Craft of Portraiture", Craft Horizons, vol. 34, no. 6 (December 1974), pp. 40-43, 81-82.
Nemser, Cindy. "Alice Neel: Portraits of Four Decades", Ms., vol. 2, no. 4 (October 1973), pp. 48-53.
Nemser, Cindy. "Representational Painting in 1971: A New Synthesis" Arts Magazine, vol. 46, no. 3 (December 1971-January 1972), pp. 41-46.
Campbell, Lawrence. "Reviews and Previews: Alice Neel", ArtNews, vol. 69, no. 7 (November 1970), p. 24.
Perreault, John. "Reviews and Previews: Alice Neel", ArtNews, vol. 66, no. 9 (January 1968), p.16.
Nemser, Cindy. "In the Galleries: Alice Neel", Arts Magazine, vol. 42, no. 4 (February 1968), p.60.
Anonymous. "Artists on their Art: Alice Neel", Art International, vol. 12, no. 5 (15 May,1968), p. 48.
Berrigan, Ted. "The Portrait and Its Double", ArtNews, vol. 64, no. 9 (January 1966), pp. 30-33, 63-64.
Kroll, Jack. "Curator of Souls", Newsweek, 31 January, 1966, p. 82.
Bochner, Mel. "In the Galleries: Alice Neel", Arts Magazine, vol. 40, no. 5 (March 1966), p. 55.
Berrigan, Ted. "Alice Neel's Portraits of Joe Gould", Mother (New York), no. 6 (Thanksgiving 1965), pp. 31-33.
Raynor, Vivien. "In the Galleries: Alice Neel", Arts Magazine, vol. 38, no. 1 (October 1963), pp. 58-59.
Levin, Kim. "Reviews and Previews: Alice Neel", ArtNews, vol. 62, no. 6 (October 1963), p.11.
Petersen, Valerie. "U.S. Figure Painting: Continuity and Cliche", ArtNews, vol. 61, no. 4 (Summer 1962), pp. 36-38, 51-52.
Crehan, Hubert. "Introducing the Portraits of Alice Neel", ArtNews, vol. 61, no. 6 (October 1962), pp. 44-47,68.
Semsel, George. "Three Neglected Painters: Alice Neel, Clifford Gress-Wright, and Elizabeth Sparhawk-Jones", Wagner Literary Magazine (Wagner College, New York), 1960, pp. 42-46.
Campbell, Lawrence. "Reviews and Previews: Alice Neel, Jonah Kinigstein, Anthony Toney, Giacomo Porzano", ArtNews, vol. 59, no. 8 (December 1960), pp.13-14.
Davidson, Bernice. "Fortnight in Review: Mulzac and Neel", Arts Digest, vol. 28, no. 20 (September 15, 1954), p. 26.
Munson, Gretchen T. "Capt. Hugh Mulzac and Alice Neel", ArtNews, vol. 53, no. 6 (October 1954), pp. 58-59.
N. L. "Fifty-seventh Street in Review: Alice Neel", Art Digest, vol. 25, no. 7 (1 January, 1951), p.17.
Catlin, Stanton L. "Reviews and Previews: Alice Neel's", ArtNews, vol. 49, no. 9 (January 1951), p. 49.
"The Passing Shows", ArtNews, vol. 43, no. 3 (March 15-31, 1944), p. 20.
"End of WPA Art", Life, vol. 16, no. 16 (17 April, 1944), pp. 85-86.
Anonymous. "New Exhibitions of the Week", ArtNews, vol. 36, no. 33 (14 May,1938), pp. 20-21.
Schjeldahl, Peter. 'Characters'. New Yorker online audio slide show. 25 May 2009. Click here to view online
Marcus, J. S. "Alice Neel's Penetrating Eye", Wall Street Journal, 7 November 2008. Click here to read online
Bell, Kirsty. “Alice Neel”. Frieze (online review), September 2007. Click here to read online.
Alice Neel Papers. Archives of American Art, Smithsonian Institution, Washington, DC.
Reminiscences of Alice Hartley Neel, April 8, April 29, June 5, 1981. Interviewer Richard M. Polsky. Oral History Collection of Columbia University, New York.
Neel, Alice. Doctoral Address, Moore College of Art, May 1971. Reprinted in Alice Neel, Alice Neel: The Woman and Her Work, pp. 81-84. Athens, GA: Georgia Museum of Art, 1975.
Neel, Andrew. Alice Neel. Directed by Andrew Neel. Produced by SeeThink Productions. DVD. New York: SeeThink Productions, 2007.
Auder, Michel. Portrait of Alice Neel 1976-1982. Produced and directed by Michel Auder. New York: Michel Auder Videos, 2000.
Lambert, Lars. Alice Neel. Produced and directed by Lars Lambert. VHS. 1993
Baer, Nancy. Alice Neel: Collector of Souls. Produced and directed by Nancy Baer. 16 mm. Washington D.C.: Cine 16 Films, 1976.
