Group Catalogue
2018
Gillen, Eckhart and Ulrike Lorenz (eds). Constructing the World. Art and Economy 1919-1939. Bielefeld and Berlin: Kerber Verlag and Kunsthalle Mannheim, 2018.
2016
Baum, Kelly, Andrea Bayer and Sheena Wagstaff. Unfinished: Thoughts Left Visible. New York: Met Breuer, 2016.
Coomer, Martin. Protest. London: Victoria Miro Gallery, 2016.
Drosnos, Nikolas and Romy Golan. Realism as an International Style in Okwui Enwezor (ed), Postwar: Art Between the Pacific and the Atlantic 1945-1965. Munich: Haus der Kunst and Prestel, 2016, p.444.
Hoste, Ann (ed). These Strangers ... Paintings and People. Texts by Bianca Baroni, Kirsty Bell, Iwona Blazwick, Martin Herbert, Ann Hoste, Jeremy Lewison, Yael Lipschutz, Paulina Pobocha and Monika Szewczyk. Gent: SMAK and Roma Publications, Amsterdam, 2016.
Hartog Jager, Hans den. Zie De Mens. Honderd jaar, honderd gezichten. Zwolle: Museum de Fundatie and Athenaeum - Polak & Van Gennep, Amsterdam, 2016.
2015
Als, Hilton. Forces in Nature. London: Victoria Miro Gallery, 2015. Texts by Hilton Als.
Gioni, Massimiliano (ed). The Great Mother. Women, Maternity, and Power in Art and Visual Culture, 1900-2015. Milan: Fondazione Nicola Trussardi and Skira, 2015.
Rabenmuetter. Zwischen Kraft und Krise: Muetterbilder von 1900 bis heute. Linz: Lentos Kunstmuseum, 2015.
Schwabsky, Barry. Re-inventing Presence in Tight Rope Walk: Painted Images after Abstraction. London: White Cube Bermondsey, 2015.
2014
Fortune, Brandon Brame, Wendy Wick Reeves and David C. Ward. Face Value. Portraiture in the Age of Abstraction. Washington DC: National Portrait Gallery, Smithsonian Institution in association with D Giles Limited, London. Essays by David C. Ward, Wendy Wick Reeves and Brandon Brame Fortune. Poem by John Ashbery.
2009
Scala, Mark W. (ed). Paint Made Flesh. Nashville, TN: Frist Center for the Visual Arts, 2009. Essays by Susan H. Edwards, Emily Braun, Richard Shiff and Mark W. Scala.
Cullen, Deborah (ed). Nexus New York. Latin/American Artists in the Modern Metropolis. New York, New Haven and London: Museo del Barrio in association with Yale University Press, 2009.
2007
Butler, Cornelia and Lisa Gabrielle Mark (eds). Wack! Art and the Feminist Revolution. Los Angeles: The Geffen Contemporary at MOCA, 2007.
Hammer, Martin. The Naked Portrait 1900-2007. Edinburgh: National Galleries of Scotland, 2007.
Tricot, Xavier. I Am as You Will Be. New York: Cheim & Read, 2007.
2006
Tuchman, Maurice. The New Landscape/The New Still Life: Soutine and Modern Art. New York: Cheim & Read, 2006.
2001
Pincus-Witten, Robert. Naked Since 1950. New York: C & M Arts, 2001.
2000
Siedell, Dan. The Human Factor: Figuration in American Art. Lincoln, NE: Sheldon Memorial Art Gallery (now Sheldon Museum of Art), 2000.
1999
Fergusson, Russell. In Memory of My Feelings: Frank O'Hara and American Art. Los Angeles: The Museum of Contemporary Art, 1999.
Phillips, Lisa. The American Century: Art & Culture 1950-2000. New York: Whitney Museum of American Art, 1999.
1998
Faces of Time: 75 Years of Time Magazine Cover Portraits. Washington DC: The National Portrait Gallery, Smithsonian Institution, 1998.
1997
Weinberg, Adam. Views from Abroad: European Perspectives on American Art 3: American Realities. Catalogue by Adam Weinberg, Nicholas Serota, and Sandy Nairne, with essays by Andrew Brighton and Peter Wolle. New York: Whitney Museum of American Art, 1997.
Bond, Anthony. Body. Sydney: The Art Gallery of New South Wales, 1997.
1994
Feldman, Melissa E. Face-Off: The Portrait in Recent Art. Catalogue by Melissa E. Feldman, with an essay by Benjamin H. D. Buchloh. Philadelphia, PA: Institute of Contemporary Arts, University of Pennsylvania, 1994.
1993
Gibson, Robin. The Portrait Now. London: National Portrait Gallery, 1993.
1989
Rosen, Randy and Catherine C. Brawer. Making Their Mark: Women Artists Move Into the Mainstream 1970-85. Cincinnati: Cincinnati Art Museum, 1989.
Van Wagner, Judy Kay Collischan. Lines of Vision: Drawings by Contemporary Women. Brookville, NY: Hillwood Art Gallery, Long Island University, 1989.
1988
Just Like a Woman. Greenville, SC: Greenville County Museum of Art, 1988.
Wolfe, Townshend. The Face, in National Drawing Invitational. Little Rock, AR: The Arkansas Arts Center, 1988, pp.111-12.
1987
Appelhof, Ruth Stevens and Cumbee Wilson. The Expressionist Landscape: North American Modernist Painting, 1920-1947. Birmingham, AL: Birmingham Museum of Art, 1987.
1986
Nude, Naked, Stripped. Catalogue by the MIT Committee on the Visual Arts. Cambridge, MA: Hayden Gallery, List Visual Arts Center, MIT, 1986.
1985
Lobowsky, Susan. The Surreal City: 1930s-1950s. Brochure essay by Susan Lobowsky. Whitney Museum of American Art, New York, Whitney Museum of American Art at Philip Morris, 1985.
Styron, Tommy. Innocence and Experience. Greenville, SC: Greenville County Art Museum, 1985.
1984
Nochlin, Linda. Woman. Evanston, IL: Terra Museum of American Art, 1984.
1983
Jacobs, Joseph. Faces Since the 50's: A Generation of American Portraiture. Lewisburg, PA: Center Gallery, Bucknell University, 1983.
Hills, Patricia. Social Concern and Urban Realism: American Paintings of the 1930s. Boston, MA: Boston University Art Gallery, 1983.
Kertess, Klaus. The Painterly Figure. Southampton, NY: The Parrish Art Museum, 1983.
Cathcart, Linda L. American Still Life: 1945-1983. Houston, TX: Contemporary Arts Museum, 1983.
1982
Berman, Greta, and Jeffrey Wechsler. Realism and Realities: The Other Side of American Painting 1940-1960. New Brunswick, NJ: Rutgers University Art Gallery, 1982.
Zilczer, Judith. Five Distinguished Alumni: The WPA Federal Art Project. Catalogue by Judith Zilczer, with an interview with Alice Neel. Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1982.
1981
Boothe-Meredith, Sally. Real, Really Real, Super Real: Directions in Contemporary American Realism. San Antonio, TX: San Antonio Museum of Art, 1981.
Gamwell, Lynn, and Victoria Kogan. Inside Out: Self Beyond Likeness. Newport Harbor, CA: Newport Harbor Art Museum, 1981.
Goodyear, Frank H., Jr. Contemporary American Realism Since 1960. Boston, MA: New York Graphic Society in association with Pennsylvania Academy of the Fine Arts, 1981.
1980
Perreault, John. Aspects of the 70's: Directions in Realism. Framingham, MA: Danforth Museum, 1980.
1978
Cathcart, Linda L. American Painting of the 1970s. Buffalo, NY: Albright-Knox Art Gallery, 1978.
1977
Park, Marlene, and Gerald E. Markowitz. New Deal for Art: The Government Art Projects of the 1930s with Examples from New York City and State Oswego. Oswego, NY: Tyler Art Gallery, SUNY Oswego, 1977.
Blum, June, Audrey Flack, and Alice Neel. Three Contemporary American Women Realists. South Campus Art Gallery (now Kendall Campus Gallery), Miami-Dade Community College, Miami, FL, 1977.
Tenth Street Days: The Co-Ops of the 50's. Edited by Joellen Bard in cooperation with Pleiades Gallery and the Association of Artist-Run Galleries. New York: Education Art Service, 1977.
1976
Gerdts, William H., and Leslie Cohen. Three Centuries of the American Nude. New York: The New York Cultural Center, 1976.
Exhibition of Liturgical Arts. Catalogue by the 41st International Eucharistic Congress, with introduction by Victoria Donohue. Philadelphia, PA: Philadelphia Civic Center, 1976.
Paintings by Three American Realists: Alice Neel, Sylvia Sleigh, May Stevens. Syracuse, NY: Everson Museum of Art, 1976.
Dorothy Gillespie, Alice Neel, Charlotte Robinson, Sylvia Sleigh: Recent Paintings and Works on Paper. Washington, DC: Fendrick Gallery, 1976.
Harris, Ann Sutherland and Linda Nochlin. Women Artists, 1550-1950. Los Angeles: LACMA, 1976.
1975
Sons and Others: Women Artists See Men. New York: The Queens Museum, 1975.
Jacob, Eva. Candid Painting: American Genre 1950-1975. Lincoln, MA: De Cordova Museum, 1975.
Miller, Margaret A. Figure as Form: American Painting 1930-1975. Saint Petersburg, FL: Museum of Fine Arts, 1975.
1962
Kroll, Jack. Figures. New York: Kornblee Gallery, 1962.
